It's no exaggeration to say that this man changed my life.
In late March of 1985, Joy and I had just broken up... again.
V and
Otherworld, the only science fiction shows on television, had just been canceled. I got in a fist fight after school, which needless to say I lost, and in a fit of rage and despair I came home and ripped all my posters off my walls, and spent quite the next few days curled up on my bed ignoring the world.
So after a week or two of this I saw an ad for a new cartoon series called Robotech, boasting "a story to rival Star Wars."
Yeah, we'll see about that, I groused, and watched it out of curiosity. It had an interesting start, and I was surprised that there were no parachutes when the jet fighters blew up. I was even more surprised when it ended on a cliffhanger.
So I came back the next day... and that one ended on a cliffhanger too.
Day by day, week by week, I had to find out what happened next. And just like Scheherazade and her 1001 Arabian Nights, it kept me alive and looking forward to the next day. No matter how bad things got, I still had that half hour every day.
Robotech was a cut above any other cartoon on the air. In a time of sanitized, heavy-handed, interchangeable stories, Robotech dared to buck the system and present its story as a multi-generational serial of the Earth at war, showing both the excitement of space combat and the gritty reality of the loss and tragedy that comes with it. Lead characters were killed, there were honorable military leaders you respected and dishonorable ones you despised, and 70% of the entire population of the Earth was wiped out on camera. It had characters that grew and changed, and you felt like they were real people. Oh, and it also had a cross-dressing rock star.
Robotech pulled me out of that depression. The first thing I hung on my bare walls was this picture of the SDF-1 that I found in a Starlog magazine:
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So I tried to learn all I could about this show, and the man who was at the forefront of it all was Carl Macek.
Carl Macek ran a comic shop in California. He was a fan of animation and knew the kind of storytelling that anime had going for it. But until that point, any attempts to bring anime into the US always met with it being toned down. The continuity was removed to make the episodes interchangeable, deaths of characters, minor and major, were removed. (Star Blazers gets kudos for being the first to keep the serialized storytelling intact, but they still removed most if not all of the character deaths.) And so when Harmony Gold got the rights to the Japanese anime Macross, Carl Macek became the one to try to bring this show to America with its heart and soul intact.
There were concessions that had to be made. The show had to be 65 episodes long to meet syndication requirements, so it was combined with two other unconnected shows. But even this was done by tweaking the shows to keep the serial format going and to make it a mulit-generational epic. The name had to be changed to "Robotech" because they were being funded by Revell, a model kit company who had bought the rights to many of the Macross model kits, and that was the brand name they were selling them under. And the character names had to be Americanized because people just didn't have faith that audiences could handle names like Hikaru Ichijo and Stick Bernard. If anyone else had been in charge of this project, it could have been another
Force Five, but Carl Macek pushed to keep what made these shows special alive.
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I got to meet Carl Macek at the Creation Robotech Convention in Valley Forge PA, October 18, 1986. He was very forthcoming about the way the American animation and television industries worked, and how tough it was for a show like Robotech to compete with the big boys that were on the air at the time like He-Man and ThunderCats. He talked about how he had to fight with the model company to have Stick become Scott, when they really wanted him to be named Spike. But he also talked about how rewarding it was to see that there were people who appreciated it, and how "the best was yet to come."
How right he was.
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I saw him twice more after that, at Robocon 10 in California and another Creation con where he debuted the Sentinels video. He was so patient with me. After I got his autograph and he was leaving, I followed him just pelting him with more and more questions, and he patiently and politely answered them all while we walked.
He went on to co-found Streamline Pictures, which was dedicated to translating anime movies into English so they could reach a wider audience. I remember making trips to the Roxy Screening Room in Philadelphia with my friends to see
Akira,
Laputa: Castle in the Sky, and my favorite of all,
Lensman.
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Because of Carl Macek making Robotech, I made some long-lasting friendships. I met A.J. at a con in a video screening room showing "Codename: Robotech," and he was a huge part of my life during my late teens and early twenties, and we're still friends to this day. I met Derek on the AOL Robotech message boards, and he's practically family-- in addition to he and I being friends and just enjoying hanging out whenever we can, he married my wife's best friend, and taught my daughter how to build and shoot fireworks.
Because of Carl Macek making Robotech, Joy and I got into anime so much we started our own business, Joy's Japanimation, which provided my livelihood for nearly ten years and took me all over the country. It's still there to this day, being run by our friend Steve-- a friend we made because of Joy's Japanimation, just like Danielle, Amy & Craig.
Because of Carl Macek making Robotech, my daughter is named Mylene. When Joy was pregnant we were close to naming her Miriya, until Joy suggested we name her Mylene instead, who was Miriya's daughter from the Japanese sequel Macross 7. I loved the idea, and our daughter became Mylene Elissa Goodnough.
Because of Carl Macek making Robotech, I was able to look at the character of Lancer / Yellow Dancer and say to myself, you know what, maybe it's not so terrible that I can't be as butch as all the other guys. Lancer's still tough when he needs to be, and he's totally at peace with his feminine half. It helped me accept myself for who I am.
When I entered college, I had to write a letter saying what my goals were. I had no idea what my goals were (still don't, for that matter), but I was hoping for a career in film production. So in writing the letter, I decided that I didn't want to be like Stephen Spielberg-- I wanted to be like Carl Macek. Someone who may not have the fame and fortune but has created something worthwhile that really touches people. And when I look back on my life now, and I think of the store and the friends I made because of it and my daughter... I think maybe I have.
Carl Macek changed my life.